Movies Galaxy India

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For example, I rewatched the cheesy disaster movie Volcano (PG-13) and there's a scene where a guy heroically sacrifices himself by jumping into lava and throwing a buddy to safety... And then melting from his feet on up. Which is an excruciating, horrible way to die if you think about it.What are other scenes in non-R rated movies that get more horrific the more you think about them? via /r/movies https://ift.tt/LXlfdVR

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Today HBO streaming was replaced by the new Max service. Pick any movie and look at the "Details". Normally this is where you'll find who wrote, directed and produced the movie.These roles are no longer directly credited. Instead we have a new "Creators" credit.Lawrence of Arabia was "created" by Robert Bold, David Lean.Memento? "Suzanne Todd, Jonathan Nolan, Christopher Nolan, Aaron Ryder, Jennifer Todd"No Country for Old Men? "Ethan Coen, Scott Rudin, Joel Coen, Cormac McCarthy".This is deeply lame and I hope they'll stop this asap. via /r/movies https://ift.tt/X5uN8s7

Rotten Tomatoes: 73% (11 reviews) with 8.50 in average ratingMetacritic: 78/100 (13 critics)As with other movies, the scores are set to change as time passes. Meanwhile, I'll post some short reviews on the movie. It's structured like this: quote first, source second. The trouble is there’s just not enough here to fully engage the viewer beyond the trademark aesthetics — no emotional pull or lingering feeling and too few genuine laughs. For a movie so curiously weightless it seems awfully pleased with itself, its moments of magic evaporating almost instantaneously.-David Rooney, The Hollywood ReporterIn its own offbeat way, Asteroid City is an Anderson patchwork of Cold War paranoia and American family values in all their often hypocritical glory. It is every bit as arch as his best work, while still managing to tug hard on the heartstrings.-Geoffrey McNab, The Independent: 5/5Like any movie by Wes Anderson, “Asteroid City” is the epitome of a Wes Anderson movie. A film about a television program about a play within a play “about infinity and I don’t know what else” (as one character describes it), this delightfully profound desert charmer — by far the director’s best effort since “The Grand Budapest Hotel,” and in some respects the most poignant thing he’s ever made — boasts all of his usual hallmarks and then some.-David Ehrlich, IndieWire: A“Asteroid City” looks smashing, but as a movie it’s for Anderson die-hards only, and maybe not even too many of them.-Owen Gleiberman, VarietyIt looks amazing, of course, but it might well be the least involving movie he’s ever made, with an amazing cast providing little but momentary distraction.-Steve Pond, TheWrapAs ever, there is little or no emotional content, despite the ostensible subject of grief. The movie rattles cleverly and exhilaratingly along, adroitly absorbing the implications of pathos and loneliness without allowing itself to slow down. It is tempting to consider this savant blankness as some kind of symptom, but I really don’t think so: it is the expression of style. And what style it is.-Peter Bradshaw, The Guardian: 4/5The show-within-a-film conceit doesn’t really pay off; arguably, it complicates the work with little to show for it, and general audiences, as opposed to art film aficionados, will be baffled as to what’s going on. There is even one more layer to the proceedings that, arguably, is more of a bother than a plus. But otherwise, this is a fresh, original and disarming creation unlike anything else you might have seen with a degree of stylized storytelling that is notable and often exciting. -Todd McCarthy, DeadlineTruly delightful. Wes Anderson leans into his trademark eccentricities for a trip to the desert that won’t win any converts but will keep the Anderson faithful content.-John Nugent, Empire: 4/5There has always been a method to Wes Anderson’s madness, but Asteroid City reminds you that there is also a madness to his method. And that, ultimately, is what makes him a great artist.-Bilge Ebiri, VultureThere is, to use tired modern parlance, a pleasant vibe to the film. It’s as if Anderson is turning his mind back on, switch by switch, after the cataclysms of the past few years. Suddenly his old pretensions feel welcome again; here, born anew, is the purpose of his particular (and occasionally vexing) style. It’s an oddly moving film, this bright and quite literally stagey curio involving an extraterrestrial. At its best, Asteroid City evokes the memory of what it was to first see a Wes Anderson film, surprised and delighted by its singular vision of life on Earth. -Richard Lawson, Vanity FairMeta-puns and layers of art/reality mount, sometimes to playful ends, sometimes to faintly distancing effect. But there’s no doubting the invention and drollery on show, much less the subtle sincerity of Anderson’s questioning. As his characters ponder how to “do” life’s uncertainties, one answer offered is "trust your curiosity." As ever, Anderson’s curiosity guides him wondrously well here.-Kevin Harley, Total Film: 4/5That’s existentially melancholy stuff— a specific pigment of poignant sadness that Anderson hasn’t pulled out of his neatly-ordered toolkit before. And I’m not overstating the case. However, the minor problem of it all is while what Anderson is trying to say can be read across the sky like a beautifully glistening moonbeam; it does often lack the craterous depth of feeling we know he’s capable of when doing his best creative and emotional astrography.-Rodrigo Perez, The Playlist: BSuffice it to say, Anderson has swelled the ranks of his rep company even more. Best of all, Jason Schwartzman – now on his seventh Anderson movie – gets a juicy role for his favourite director. Seeing the two of them together again feels like perfect harmony.-James Mottram, NME: 4/5PLOTIn 1955, students and parents from across the country gather for scholarly competition, rest, recreation, comedy, drama, and romance at a Junior Stargazer convention held in a fictional American desert town.DIRECTOR/WRITER Wes AndersonSTORYWes Anderson & Roman CoppolaMUSICAlexandre DesplatCINEMATOGRAPHYRobert YeomanEDITORBarney PillingRELEASE DATE May 23, 2023 (Cannes Film Festival)June 16, 2023 (limited theatrical release)June 23, 2023 (wide theatrical release)RUNTIME105 minutesSTARRINGJason SchwartzmanScarlett JohanssonTom HanksJeffrey WrightTilda SwintonBryan CranstonEdward NortonAdrien BrodyLiev SchreiberHope DavisStephen ParkRupert FriendMaya HawkeSteve CarellMatt DillonHong ChauWillem DafoeMargot RobbieTony RevoloriJake RyanJeff Goldblum via /r/movies https://ift.tt/uRSJnch

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It drives me insane when they do this. Usually an action movie or horror movie. You’ve seen it plenty of times, an elite hit squad is sent into the good guys home in the middle of the night to take him out. He’s prepared though. As they sweep the house (split up) room by room he swiftly takes them out one by one. This house generally shown from the outside at some point isn’t Jeff Bezos’s estate though. It’s a normal 3-4 bedroom suburban home but they treat it like a mansion as if everyone is in a different “wing”. Nobody hears anything happening. A baddie gets clobbered over the head with a fireplace poker and drops to the ground. None of the other bad guys hear the hit or the thud. Another gets taken out after a scuffle being shoved into a wall and thrown through a table. Again the rest of the team is oblivious. They’re in another room or other part of the house but another room or other part of the house is only like 15 feet away. There’s 5-6 of these guys, so even with them spread out around the whole house they’re all almost basically within visual range of each other. The worst is when there’s an actual gun fight but somehow in the same home it’s not heard or reacted to by the others as they continue searching. It doesn’t ruin the movie for me, I get suspension of disbelief. I just can’t get past this particular one.Anyone else have anything like that in movies or shows that they can’t stand? via /r/movies https://ift.tt/3trypI1

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Most people talk about good ideas with bad executions but I want to talk about the opposite. What’s a movie that shouldn’t work but does. Something that had no faith in but surprised. Something that has no rights being as good as it is. I don’t see this discussed much so I look forward to see your answers. via /r/movies https://ift.tt/N16YrTF

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https://twitter.com/benmekler/status/1660039941274075137?t=-oQxYALEVtIOLV2y_vp65w&s=19"Tweeting from the killers of the flower moon ovation. we're still going. nobody wants to be the first to stop. I can't feel my arms from the shoulder down and one of the guys from the atlantic threw up on my shoes (rented). call ambulanceeverything is okay now still clapping but one of the paramount execs is feeding me a baguette"This joke is more relevant coming from Indie 5's 5-minute ovation being described by Variety as a "lukewarm reception".Personally, if I clap for longer than a minute, my hands start to prickle and fall apart. via /r/movies https://ift.tt/uz6QK9R